the hype machine

Don't believe the hype. I have always taken the words of Flava Flav seriously. And even more seriously than that, those of Chuck D - I don't rhyme for the sake of riddlin' / Some claim that I'm a smuggler / Some say I never heard of ya / A rap burglar, false media / We don't need it, do we? / It's fake, that's what it to be to ya, dig me?

It's here that I would like to take a brief time out and say what a superbly awesome album It Takes a Nation of Millions to Hold Us Back was. Rap music has never been the same. Without it and without Public Enemy, my blog would have no name because there would not have been a Terminator X. He wanted to call himself "DJ Mellow Dick". Thank goodness Chuck D talked him out of that one. As Chuck recalls, "I gave him the name Terminator X, which meant that he was about terminating all the nonsense, and then the X symbolized the unknown, a terminating of things we think we believe, that we don't really know about." Yeah. What Chuck said.

What was Chuck saying? I think he pretty much summed it up on "Don't Believe the Hype". He's talking about education, about facts. He's talking about making up your own mind, gathering the information yourself and making an informed decision. Erase what you think might be true. Seek the truth yourself. I know many have heard him, but I wonder how many folks were really listening to Chuck.

Don't Believe The Hype - Publi...

Personally, I have always shied away from hype. When I start to hear too much about a movie, a book or music I almost automatically lose interest in it. There's no way it could be as good as everyone is saying. I have vowed never to watch Avatar. Besides the fact that I feel like I'm being swindled out of $15 because I'm forced to view it in a 3D theater to get the full effect, I can't stand how everyone is pouring over it. It can't be that good, it doesn't matter how much you say it. However, there are a few albums out there that I can't seem to get away from. I've finally decided that I can no longer ignore all the hype. I will reserve judgement until I've been able to listen thoroughly, of course.

Everyone I know on Facebook is raving about Joanna Newsom's new triple LP, Have One on Me and she's getting just as much love from the press. I'll be honest, I'm skeptical. I have a copy of her previous release, Y's and I'm just not that into it. Maybe I'm missing something, but I find it kind of boring. She sings, she plays the harp. All of her songs are like ten minutes long. I'm not sure I get how three discs of that can be so amazing, but I can't stand hearing about it any more. I have to check it out for myself. I downloaded it last night. I'm listening right now.

The new Gorillaz release, Plastic Beach has been met with the not-so-surprising warmth Damon Albarn's projects usually receive. I'll be honest folks, just about everything he does I find underwhelming. Blur? Meh. Although 2003's Think Tank was excellent. The Good, The Bad and The Queen? So very boring. That was supposed to be a super group with members of The Clash, The Verve and famed Fela Kuti percussionist Tony Allen. I'm sorry, it was forgettable. The first two Gorillaz albums have been fun, but nothing remarkable. Word is Plastic Beach is much more cohesive. The little I've heard sounds pretty great. The first single, "Stylo" is fun. I heard "Empire Ants" this morning and it's just about perfect. Plus, any song with both De La Soul and Gruff Rhys of Super Furry Animals guest starring has got to be good ("Superfast Jellyfish). I'm willing to keep giving Albarn a try.

Dr. Dog is local legend, one that I have sort of been avoiding for my entire tenure in Philly. I've had two of their albums for a long time now (Easy Beat and We All Belong) and have yet to spend much time with either of them. I keep seeing their name, hearing good things. It's time I gave We All Belong a good listen.

I'm terminating any predispositions and will attempt to listen with new ears. Chuck D would be proud, I think.




(Start with "Easy". It's the first track on the first disc. It's...easy)

Empire Ants (Feat. Little Drag...

My Old Ways - Dr. Dog

the little things

I have purposely cut back on the variety of music I make available to myself this month. This means I have less choice, which means I spend less time thinking about the choice, which in the end means more time with the music and a greater satisfaction with my choice. If you haven't done so, you should read this book by Barry Schwartz. Don't worry if you have to read in small sections to avoid getting a headache. Dude is way smart.

I still can't help but feel as if I'm missing out on something though. They haven't stopped making new music, thankfully. It just keeps coming, whether I listen or not. How will I ever take it all in? How can I be sure that while I'm listening to the rather mediocre Blakroc I'm not missing the next big thing, my next favorite record? Joanna Newsom's new triple LP has been out for weeks now and I haven't heard one note of it because I've been giving myself other listening assignments. Is this why they say the grass is always greener? Are there ever times when the grass looks as green as it can get right under my feet?

My life has been a scandal for a bit more than a year now. I've had relationship trouble, financial trouble, family trouble, car trouble and troubles of the soul. When will my grass be green again? Will my grass be green again? What does this have to do with music? I touched on this last week, but when I can slow down and take notice of the little things I start to understand that without them, there are no big things. Sure, I could be listening to hundreds of other records but instead I've really come to love Jackson Browne, "Who Knows Who Cares" by Local Natives and about half of the Broken Bells album. That's not nothing. They shouldn't be overlooked by obsessing with what's next.

The same can be said with the rest of my life. While on the subway Tuesday evening I had the time and space to ponder why it was so hard for me to ask for help trying to get my car to start. Why did that feel so humiliating? Taking the time to notice that feeling, to process it, helped me move on to the next thing. Perhaps it's a bit of a stretch as a comparison, but I've spent a lot of time with the six albums I set aside the last two weeks. I know them now and don't really have to question whether I should spend more time with them. It's okay to move on to something else.

So, the next thing will be Teen Dream (2010) by Beach House, Goo (1990) by Sonic Youth and The Campfire Headphase (2005) by Boards of Canada.

Zebra - Beach House

Disappearer - Sonic Youth

(If I could share a song it would be "Chromakey Democrat")

okay, three things at a time.

Last week I started a little experiment with the intention of making myself more familiar with the music I have collected. I decided I would choose three albums a week and listen to nothing but those three albums. I decided on Jackson Brown - Jackson Browne, Damien Jurado - Caught in the Trees and Local Natives - Gorilla Manor. Now, I will admit that I did not listen to these albums exclusively. I think that would have turned into punishment rather than enjoyment. So, I allowed myself to take breaks from those three albums and listen to other things, the rule being that the other things had to be albums I already knew inside and out. They ended up being things like Modest Mouse's The Moon and Antarctica, Coldplay's Parachutes, Grizzly Bear's Veckatimest, Mos Def & Talib Kweli's Black Star and Bjork's Homogenic.

I'm happy to report that this went well. I actually found myself wanting to listen to the three albums I had chosen more. The songs would get stuck in my head and I would choose to go back to them. And now I feel like I have a more intimate knowledge of all three albums. Success! So, I'll try it again this week. My selections are below.

I like to try and make these blog posts and my approach to music about more than just the music. As big as music is in my daily life, if I'm being honest I'll admit that this kind of stuff has no ultimate importance. I'd rather not squander all of my free time writing about things of no real meaning, regardless of how fun it might be. And I'd prefer not to waste your time either. But I think the way I have been approaching music this past week is a method that could be applied to several other facets of life.

We are consumers. We take and take and take, many times without knowing exactly what it is we're taking. Someone tells us that it's good, we believe them and we keep taking. We eat up albums, movies, books, news, gadgets, work and school assignments and often treat them as nothing more than tasks. I love me some technology. The Internet is brilliant. But let's not allow all of this accessibility to overtake us. Let's slow down. Enjoy a quiet evening or afternoon and make something ours, our own. Let's own things, make them a part of who we are (only if they fit, of course). Let's understand them. I grow a bit tired of feeling overwhelmed by all of the things being thrown at me and then I realize that a lot of the time, I'm reaching out to receive them instead of controlling how fast and furious I take things in. I've been reading Anne Lamott's Bird by Bird (yes, I'm still reading it). Her advice for aspiring authors is to practice observation skills. Practice noticing the small details of the people and things around you, then use those details in your stories. That seems like good life advice too. Get to know ourselves and our surroundings a bit better.

Here are this coming week's three albums of choice: Neil Young's self-titled solo debut from 1968 (the remasterd version, of course), The Black Keys/Damon Dash rock/rap mash up project from last year, Blakroc, and the new album from Danger Mouse and James Mercer of The Shins, Broken Bells.

I've Loved Her So Long - Neil ...

On The Vista Feat. Mos Def - B...

The Mall & Misery - Broken Bel...

one thing at a time

Lately I have been remembering how things were when I was younger. A time when every dollar I found went towards a new cassette or baseball cards, when I would sit by the radio every evening and record songs from top ten countdowns and underground hip-hop shows. I would spend hours listening to the same album, the entire album, and then spend weeks listening to it again simply because I only had so many of them and it often was just easier to listen to the entire album rather than FF my way to a specific song. This is how I memorized just about all of the lyrics to Cooleyhighharmony and The Low End Theory. And that's music that will stick with me forever. There are memories in those albums, regardless of how I feel about the music today. I can see myself sitting in the back of the minivan with my walkmen and headphones riding through Tennessee. I can picture the cassette in my hand while I stood in the check out line at the new & used tape store near my grandparents house in Aspen Hill, MD.

This week I was at home scrolling through my iTunes library and I came across Damien Jurado's Caught in the Trees. I've had this album in digital form since it was new in 2008 and I don't think I've listened to it in it's entirety until Monday night. That just doesn't seem right, particularly because Caught in the Trees is a pretty nice record. I've made this a habit. I grab and collect music everywhere I go. A download here, a cd there, a sudden obsession with Jackson Browne and before I know it I've got a library of music I'm mostly unfamiliar with and rarely listen to.

I've been trying to decide who to blame for this. The first suspect is the internet. I'm a relatively new Jackson Browne fan. When I started listening to his music I almost instantly acquired four of his albums with one click of the mouse. Music has never been so easy to acquire. Of those four albums, I've taken the time to listen to two of them, maybe. Of those two, I've taken the time to listen to one more than once.

The second suspect could be the optical disc or digital media in general. Let's just call it "format". It's so easy to skip around from one song to the next, from one album to another that actually sitting down and listening to an entire album has become a rare occurrence for me. The only time it really ever happens is when I'm in the car and even then I often tend to listen to some mix of songs and various artists that I've compiled from the digital files on my computer. Skipping through songs was kind of a pain with cassettes so, I just let them roll. There is, of course, a raging argument about how digital media has killed "the album". I'm not so sure about all of that, but it does seem to require more effort on the part of the listener to experience an album through and through. I will say that when folks like Radiohead record a song and then make it available for download the next day it kind of takes the fun out of it for me. I want a compiled collection of recordings all created with the same goal in mind - release to the public. I like the release part. A new album from a favorite band should be an event, something to look forward to.

The third suspect would be me. I've become greedy. I've become lazy. A lot of the time, I allow the many distractions of our digital world to shrink my attention span. Focusing on one thing becomes difficult. I think I should be multi-tasking, or at least that's what I've been trained to do. I grab music without knowing anything about it or having listened to one note of it previously. Then I let it sit on my computer for months at a time while I move on to the next thing. I have a ton of music and listen to portions of it all the time, but I don't know most of it. What a failure...

I plan to fix this. Here's how. I'm going to choose three albums a week and listen to them and only them in the times I would normally be breezing through something else and not really be paying attention to it. And, I'm going to do this regardless of how much I decide I like the album. I'll give it one week. So, three albums, on repeat, for one week. This week I have selected Damien Jurado's Caught in the Trees (since he sorta started all of this), best new music-dubbed Local Natives' Gorilla Manor and Jackson Browne's self-titled debut from 1972. I'll let you know how it goes.

Jamaica Say You Will - Jackson...

Wide Eyes - Local Natives

Gillian Was A Horse - Damien J...

sunny day music

Here in Philly we got something like four feet of snow in one week. That was two weeks ago. A lot of that snow is still with us, blocking intersections and taking up parking spaces. Up until the last couple of days, it's been cold and grey. I think we're all ready for spring, myself included. In an effort to warm my insides, I've had a couple of sunny feeling records on repeat. It just so happens that both of them are from Stones Throw Records.



Koushik - Be With

I've been a fan of this album for a long time. Koushik's beat making skills are underrated and under used. He has the pallet of a hip-hopper and the flavor of an electronic composer. Just take one listen to the title track and tell me it doesn't sound like a summer day. You can feel the waves of sunshine in the reversed swirls, hear birds singing in the flute samples and Koushik's vocals sound as if they are under water - a nearby spring perhaps, that gently laps the rocks and sand as you sit in this sunny sonic field. The vocals stay submerged throughout the album, creating a laid back feel even on tracks where the drums are running through the field instead of lounging in it. The album is full of backyard barbecues, water plug fun and playground hi-jinx. "Battle Rhymes for Battle Times" is my favorite. There is something nostalgic about it's synth samples and I love the punch that the drums pack. Perhaps a good soundtrack for a water gun fight?

Be With - Koushik

Sound Directions - The Funky Side of Life

This is a Madlib project, similar to Yesterdays New Quintet. He commissioned a small group of jazz players to record this collection of mostly covers and then gave them his signature spins and accents. It's cruisin' music. You know, top down, two miles an hour so everybody sees you. The drums are the kind DJ Shadow would have killed for back in the mid '90s, when he was making good music. The horns are, in fact, funky. It's just really good jazzy, hip-hop lounge music. Madlib is a genius. A Tribe Called Quest loyalists will recognize "Forty Days".

Fourty Days - Sound Directions

What I find almost as interesting as the music itself is how it manages to make me feel anything. How does this combination of drum, bass, sax and voice conjure up warm settings and memories in my mind? I'm not sure I understand how that all works, whether it's a chemical reaction or if something in the music is actually linked to a past experience that has been locked in my subconscious. I read an article about this in The Economist a while ago. Apparently there are several studies and a lot of money going towards trying to figure out the answer to my question. I think I prefer to keep it a mystery though.

there is no music (in the music business)

I work as a project manager for a larger medium-size custom CD and DVD manufacturer. I have held this position for close to four years and have been with the company for almost five. I could probably count on one hand the number of projects that have come across my desk that excite me. It is unbelievable how many bad musicians are out there and even more unbelievable how serious some from that group take themselves. It's one thing to have a hobby, do something you love and want to share it with others. It's another to treat people like you've already inked a major label deal when the truth is no one is interested in buying your music. I recently came across a client I am proud to have. It happens so rarely, I thought it might be fun to compile a little list of music I have come across at work and enjoyed. Most likely, I never would have heard of these folks if it weren't for my job. I should also point out that I hardly ever take the time to listen to the projects I'm working on so, in a many ways I've just stumbled upon these.




7oi - Don't Push the Rocks in My Face

My contact for this project was a guy from Iceland by the name of Johann Johannsson. I made the mistake of assuming it was the Johann Johannsson and made an ass of myself. Turns out that's a common name over there. It also turns out that this album is quite beautiful in it's own rite. It's ambient and electronic.




Mumford & Sons - Sigh No More

Occasionally, I'll hear one of my client's names after I've finished the project and then realize they are musicians that other people actually listen to. Mumford & Sons is one of those. From what I've read, they're English. They make folk rock. It's decent. You will probably hear more about them in the near future.

Sigh No More - Mumford & Sons

Hoots and Hellmouth - Hoots and Hellmouth

These guys have been doing alright for themselves for a good while now and if you live in Philly, chances are you've heard of them. I recognized their name right away, although I wasn't familiar with their music. It's roots music, kinda. I can't say I love it, but I gotta give some love to a local favorite.

Home In A Boxcar - Hoots & Hel...

Clean Guns - Sometimes There is Trouble

I went to college with one of the MC's in this duo, as well as some of the contributing beat makers. These guys have good taste. They make some of that "real" hip-hop, with wit and a broad vocab. I still have one of their posters up at my desk. People walk by and say things like, "Why is that little girl cleaning a gun?" And I think to myself, isn't it obvious?




Oto - Time Capsule Sunday

This is really nice ambient, electronic music. Very quiet and minimal. It might be my favorite from a client. The packaging was nice too. This image doesn't do it justice. It's clean and simple, just like his music.

Whitewall - Oto

Metavari - Be One of Us and Hear No Noise

I recognized their name from a recent R5 email promoting one of their shows. Turns out these guys make some fairly interesting post-rock music. They incorporate samples of various spoken words, whether from film or public speeches or old radio programs I am not sure. I wonder how it made it past our intellectual property rights department, but perhaps they couldn't pin point the samples either.

The Priest, The Shore And The ...

Liza Kate - Don't Let the Dogs

This one surprised me. Liza is a singer/song writer and a pretty good one, especially as my clients go. Her songs are emotional, but not overwhelming. Including her in this list also makes six albums, which means I would need two hands to count, which means I lied to you in the opening paragraph. Sorry.

O Sally! - Liza Kate

snow survival kit

For those of you who are completely oblivious, the Northeast (and half the country for that matter) has been getting pounded by one blizzard after another in 2010. Here in Philadelphia, where the history that lies on our doorstep is largely ignored by our residents, we are shivering through history with record setting snowfalls. My employer actually shut down today, deciding that the value of human life is actually worth more than a days worth of sales. Some are posing the question, "What global warming?" To that I say, yes, it's completely shocking that it should be cold and snowing in the middle of winter. It must mean global warming does not exist, of course. But I digress...

Friday night I sat down, prepared for another 20+ inches of snow to drop, and had a quite satisfying evening watching the world turn white out my window. How did I do it, you ask? I shall tell you. I did not make a mad dash to the grocery store and stock up on bread, milk or cookies. I did not ready the snow shovel (mostly because I don't own one). No, instead I poured myself a glass of Westmalle Trappist Tripel, lit a cigar and put on some classic jazz records. I went through Dave Brubeck's Time Out. You can't really go wrong with "Take Five". I dabbled a bit in some Sun Ra ("Round Midnight"), some Miles Davis ("So What") and listened to one of my absolute favorites - Getz/Gilberto. The height of my evening came about halfway through both the cigar and the Tripel when I found my way to Charles Mingus' "Goodbye Pork Pie Hat" off of the 1959 album Mingus Ah Um. Despite being known as the "angry man of jazz," Mingus sure could slow down an evening nicely.

The song was Mingus' tribute to jazz saxophonist Lester Young who died in '59. No surprise, the song features the sax and it gently strolls along, perfect for an evening filled with the silence of a city under a blanket of snow. In perhaps an even more fitting way, as Mingus remembers Young in song, I recall past snowfalls. As I'm listening again right now I remember 1996. I was 15 years old. It was my birthday and I was stuck in the house because we were having the worst blizzard I have experienced (up until now that is). I can remember a couple of years later when I went sledding at Summit Lake Camp while the adults worried about whether we'd be able to drive out of the Catoctin Mountains. Then there was that other time at Summit Lake when our retreat ended early due to snow and I ended up riding home in my principal's car. Fun times. There was that one winter when I got snowed in at Matt's house and we got in trouble for throwing snowballs at passing cars. These are good memories.

I tend to do a bit of belly aching when it comes to snow, but I suppose if there is one thing it's good for it's forcing us all to slow down and giving us an opportunity to remember. So for me, essential for surviving the snow are a good beer, a good smoke, good music and a little trip down memory lane. Food is good too, I suppose.

Stay warm!

Goodbye Pork Pie Hat - Charles...